The third instalment in the Bacon Estateª¡s groundbreaking series discloses the most exciting new research and information to emerge in many years on this elusive artist. Three of the essays, by Francesca Pipe, Sophie Pretorius and Martin Harrison, are based on archives recently added to the collection of the Estate of Francis Bacon. Very little is known about Baconª¡s early career, and the diaries of his two first patrons provide a far deeper understanding of his formative years than has been accessible hitherto. Especially revelatory are the extensive records kept over a long period by Baconª¡s doctor, Paul Brass: what they reveal will revolutionise thinking on Bacon.
Sarah Whitfield sheds new light on both Bonnard and Bacon; she has identified concerns the two artists shared that will surprise as well as enlighten. Joyce Townsend draws on her scientific and technical investigations into Tateª¡s most important Bacon paintings to advance significant new information about Baconª¡s methods. Christopher Bucklow is an expert on Japanese art, which forms an important, if unexpected, aspect of his rethinking of the metaphor system in Baconª¡s paintings.
Sarah Whitfield sheds new light on both Bonnard and Bacon; she has identified concerns the two artists shared that will surprise as well as enlighten. Joyce Townsend draws on her scientific and technical investigations into Tateª¡s most important Bacon paintings to advance significant new information about Baconª¡s methods. Christopher Bucklow is an expert on Japanese art, which forms an important, if unexpected, aspect of his rethinking of the metaphor system in Baconª¡s paintings.
