Dream Fourteen is the second collaboration of prints by Julian Simmons and Sarah Lucas to be exhibited at the Paul Stolper Gallery. The first body of work, HOOLIAN 2015, consisted primarily of Simmons' prints of Lucas? sculptures, charting their genesis to the finished work. Dream Fourteen develops their collaborative experience, whereby Simmons photographed in situ, Lucas? Muses, the set of portrait sculptures which she exhibited in the British Pavilion, 56th Venice International Art Biennale, Venice (2015).
Simmons crops and re-composes the space surrounding the sculptures, filling the space with colour, a yellowy colour that references real things, custard, ice-cream, eggs, banana, sunshine, the same colour Lucas painted the interior Pavilion walls. As such the prints act as the photographic counterpoint to Lucas? practice. There are 14 prints in the series, and each has typically honest, descriptive Sarah Lucas title, for example: Yoko Smoking Through Her Belly-Button (Low), A Very Stately Pauline and My Bum on the Bar Stool.
About the Author
Julian Simmons (b.1971) is a UK-based photographer, composer, master-printmaker and contemporary artist. He is perhaps best-known for his collaborative work with his partner Sarah Lucas. His books, compositions and printed works have been show in a number of exhibitions worldwide, including Contemporary Fine Arts Galerie Gmbh, Berlin; Whitechapel Gallery, London; Gladstone Gallery, Brussels; and Paul Stolper, London.
Sarah Lucas (b. 1962, London) studied at the Working Men?s College (1982?3), London College of Printing (1983?4), and Goldsmith?s College (1984?7). She has exhibited internationally since coming to prominence in the 1990s with solo shows Penis Nailed to a Board, City Racing, London (1992) and The Whole Joke, Kingly Street, London (1992), followed by a presentation in 1993 at MoMA, New York. In 2005 a touring retrospective took place at Kunsthalle Zrich, Kunstverein Hamburg and Tate Liverpool. In addition to her recent retrospectives in China and the USA, major exhibitions in the last decade have included Sarah Lucas: Good Muse, Legion of Honor, San Francisco (2017); POWER IN WOMAN, Sir John Soane?s Museum, London (2016, travelling to Humber Street Gallery, Hull in 2017); I SCREAM DADDIO, British Pavilion, 56th Venice International Art Biennale, Venice (2015); Tramway, Glasgow (2014); NOB + Gelatin, Secession, Vienna (2013); and SITUATION Absolute Beach Man Rubble, Whitechapel Gallery, London.
Simmons crops and re-composes the space surrounding the sculptures, filling the space with colour, a yellowy colour that references real things, custard, ice-cream, eggs, banana, sunshine, the same colour Lucas painted the interior Pavilion walls. As such the prints act as the photographic counterpoint to Lucas? practice. There are 14 prints in the series, and each has typically honest, descriptive Sarah Lucas title, for example: Yoko Smoking Through Her Belly-Button (Low), A Very Stately Pauline and My Bum on the Bar Stool.
About the Author
Julian Simmons (b.1971) is a UK-based photographer, composer, master-printmaker and contemporary artist. He is perhaps best-known for his collaborative work with his partner Sarah Lucas. His books, compositions and printed works have been show in a number of exhibitions worldwide, including Contemporary Fine Arts Galerie Gmbh, Berlin; Whitechapel Gallery, London; Gladstone Gallery, Brussels; and Paul Stolper, London.
Sarah Lucas (b. 1962, London) studied at the Working Men?s College (1982?3), London College of Printing (1983?4), and Goldsmith?s College (1984?7). She has exhibited internationally since coming to prominence in the 1990s with solo shows Penis Nailed to a Board, City Racing, London (1992) and The Whole Joke, Kingly Street, London (1992), followed by a presentation in 1993 at MoMA, New York. In 2005 a touring retrospective took place at Kunsthalle Zrich, Kunstverein Hamburg and Tate Liverpool. In addition to her recent retrospectives in China and the USA, major exhibitions in the last decade have included Sarah Lucas: Good Muse, Legion of Honor, San Francisco (2017); POWER IN WOMAN, Sir John Soane?s Museum, London (2016, travelling to Humber Street Gallery, Hull in 2017); I SCREAM DADDIO, British Pavilion, 56th Venice International Art Biennale, Venice (2015); Tramway, Glasgow (2014); NOB + Gelatin, Secession, Vienna (2013); and SITUATION Absolute Beach Man Rubble, Whitechapel Gallery, London.
