Born in 1939, Antanas Sutkus learnt of the mass killing of the Jews already during World War II from his grandparents. He felt bitterly opposed to the humiliation and human destruction that occurred in his homeland Lithuania, experiencing shame and guilt for the atrocities committed behind the Vilijampole ghetto gates and the Ninth Fort. During the ªSonderaktion 1005ª between 1942 and ª¡44, German occupation forces tried to vanish the relics of the victims. In 1986 Sutkus began photographing the Kaunas Jews who had escaped death in concentration camps; Pro Memoria presents a selection of these portraits, and evidences the relationships Sutkus forged with his sitters.
As far back as the time of Grand Duke Gediminas (1275ª¤1341), who invited tradesmen and artisans to Lithuania from various European states, the Jews had been offered protection and support there. Over the next 600 years they took root in Lithuania through their accomplishments and prayers, printing workshops and synagogues, libraries and gymnasiums, song and legends. This vibrant branch of Lithuaniaª¡s cultural history was then violently destroyed when 200,000 Jews were murdered and thrown into pits on forest edges, quarries and death camps. This book is a tribute to these people, and an express ion of attempts at understanding, penitence, purification and rebirth.
If photography can make any claim to universal experience it is through being particular. Sutkusª¡ photographs are as rich in particulars as any in the history of the medium. Rarely are they overtly political, but inevitably the complex historical passage of his country has left its impression upon the fate and hopes, and thus the bodies and faces of those who have come before his camera. - David Campany
As far back as the time of Grand Duke Gediminas (1275ª¤1341), who invited tradesmen and artisans to Lithuania from various European states, the Jews had been offered protection and support there. Over the next 600 years they took root in Lithuania through their accomplishments and prayers, printing workshops and synagogues, libraries and gymnasiums, song and legends. This vibrant branch of Lithuaniaª¡s cultural history was then violently destroyed when 200,000 Jews were murdered and thrown into pits on forest edges, quarries and death camps. This book is a tribute to these people, and an express ion of attempts at understanding, penitence, purification and rebirth.
If photography can make any claim to universal experience it is through being particular. Sutkusª¡ photographs are as rich in particulars as any in the history of the medium. Rarely are they overtly political, but inevitably the complex historical passage of his country has left its impression upon the fate and hopes, and thus the bodies and faces of those who have come before his camera. - David Campany
